I'm very interested in making the photographs look real, but a lot of them are highly synthetic. They're hybrids, located somewhere between the found and the constructed.

Like a ventriloquist who laughs at his dummy's jokes, I keep trying to make photographs that seduce me into believing in the image - all the time knowing better, but believing anyway.

Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.