In the late 1960s, I ended up in Telluride, Colorado. It wasnt like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.

It's always the last one because it's so present in your body. I liked Scream of the Banshee because it was a real challenge. I thought, How am I going to pull off this character? But, I also thought, Oh, man, I'm going to go for it. He's got all the defects of character that an actor loves to play. So, I had a really great time.

If the crowd is too big, it's too much for me. I took my daughter down there, and all I did was spend all of my time worrying that she was going to get lost because you're caught between somebody with a sandwich in their hand and somebody in a costume. It's really crazy.

We are all guilty in someone's eyes. More so our own.

The only one that's appeared in my dreams is the one from Aliens. H.R. Giger's version of that Necronom was almost like a tic. It's reptilian. That creature is like a baby and tic combined. It's very frightening. It scared the hell out of me, it really did.

I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.

I've done a lot of video games and stuff, and I'm getting better and better at it. I don't have a prejudice about it being a different medium.

There’s nothing more fierce than the female, like the momma lion. Believe me, my wife is a good example.

Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.

Im a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I dont like passive good guys.

There's nothing more terrifying than an actor who comes with an idea.

When I'm making a movie, I never watch the dailies. I see the movie once and that's it. It's really not about that for me. It's not about the externals. When I'm on a set, I don't want to see it. I want to be subjective in it. That's my habit now.

The only one that I think I could beat, if my life depended on it, would be the Predator. If it was in my territory, in my domain, with the guns that I've got, I think I could hurt him pretty bad. That's the only one, though. When you get into metaphysical creatures, they don't play fair.

When I was a kid, all of the parents and grandparents came out of the Depression Era. They were all freezing bread in their freezer, they were covering their sofas with plastic, and they had plastic runners on the floor. There was a great distance between them and anything authentic.

When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.

In every respect, fantasy is like doing abstract paintings.