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I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting No Escape in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

Lake Bell

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Lake Bell
Age: 45
Born: 1979
Born: March 24
Actor
Actress
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
New York City
New York
Lake Siegel Bell
Would
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Drama
Coach
Thailand
Actually
England
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Dialect
Times
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Three
Huge
Coaches
Nuance
Two
Week
Escape
Accent
School
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Session
Long
Four
Hour
Accents
Years
Working
Amazing
Named
Jill

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Part of why I love being an actor is the opportunity to be able to go to distant lands and take on different worlds and concepts and pretend to take on different occupations and statuses.
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I think of myself as a content creator and hopefully one day a content enabler and supporter of others, so that's what my immediate and hopefully future journey is.
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I sort of loved the bustle of a thousand questions. Women are inherently kind of multitaskers.
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It's like the most profound accomplishment that I've had in my career, that I can finally be that voice.
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I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct.
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The producers had seen In a World... and that's where they found me out and consequently sought me out for this role [in Man up].
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I find the female tragedy of insecurity to be hilarious. We get obsessed over issues like the tiny skin tags on our backs or that we're fat. You read one line in a magazine and it sends you into a tailspin.
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I'm a music person. Music is, for me, the best way to cure any sort of anxiety or icky feelings. I think it immediately takes you out of your element and makes some other person do the work for your thoughts.
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When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
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With more money brings more fear and when you're trying to be creative in a fear-based environment it's dangerous. Then decisions are made out of fear, not what's best for the film.
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I think great directors really respect their actors and vice versa. That mutual respect makes the job fun instead of anything but.
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Without strong financial roots, our generation is in a constant state of redefinition. This forces us to think outside the box when it comes to making a living... which sometimes makes it look like we're a mess, but really we're just creative. And we like weed.
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But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
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The reason I got into this business was for the privilege to exist in different genres and different worlds and play out different realities.
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I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.
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I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
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When I do an accent I commit fully and take it very seriously.
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I'm going to say a phrase or terminology or vowel that I don't know how to attack .
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I completely bombed the audition... I was insecure, stopping and starting. I went to the bathroom and cried.
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It's priceless what you learn when you actually do. It's like going to film school times eleven. The best education is effectively to be functioning in the occupation that you want to take on.
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