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I'm still always a country girl from New Zealand.

Ladyhawke

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Ladyhawke
Zealand
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I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
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I think I've got a lot of dark lines in this record [Wild Things] that I've hidden quite nicely among the nice things.
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I'm just a small-town New Zealand girl. But, I do think it was incredibly necessary for me. Wild Things wouldn't exist if I hadn't have made some dramatic changes and that all happened in LA.
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It's amazing. Being clearheaded for a show, for starters. Not being reflux-y because of the amount of beer you've drunk.
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You can't always be like 'sunshine and roses'. I like a little bit of darkness.
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I always make music that's reflective of the mindset I'm in at the time, and how I'm feeling.
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Since I've stopped drinking I'm way better at singing. I can project my voice better. I can actually walk on stage and make eye contact with the audience, which I never used to know how to do in the past. So, it's made a huge difference for me.
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I think love and obsession are almost one and the same thing at some times. Because the person you end up falling in love with, there is an element of obsession in the early days - it's all you can think about.
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I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album [Wild Things] finished. I actually went through a lot to even get the album started.
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I don't want anyone to think that I've been lost to California.
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When I say “when you’re always almost lonely, you forget to take it slowly,” I mean that you don’t always take care of yourself.
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I don't drink anymore. That's a huge - that's a massive - difference in my life. It's made a huge change in my touring.
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I'm more of a whiz on the guitar and drums. I hear certain sounds in my head, and I find it easy to translate them into synth sounds, but I'm not really technically-minded.
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It doesn't matter if there are 20, 40, 100, or 500 people there. It doesn't matter how many people. You've got to perform to those people because they've come.
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Stupid things like that which I never took into consideration – that I never thought about before like Oh, maybe I'm hindering my singing by drinking all this amount before I go on stage. Maybe it's making me not project my voice properly.
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Writing that sort of [songs like Let is Roll]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like Move on, Pip! Come on. You can do this! You can do this.
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I think love and obsession are almost one in the same thing at some times. Because the person you end up falling in love with, there is an element of obsession in the early days - it's all you can think about.
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You don't say Maybe I should go to bed early tonight or do any of that stuff. It's almost like you know you're alone and you have to get through it by whatever means - distracting yourself. Because, the more alone time the worse, you know?
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I wear non-gender-specific clothes. I just look silly in girls' clothes. I'm quite tall, and they're never the right cut for me - T-shirts and stuff are always too low-cut or too short. I've worn boys' clothes forever because girls' stuff never felt right for me.
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I feel like in every song I write, I always write a little darker bit.
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