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I think I've got a lot of dark lines in this record [Wild Things] that I've hidden quite nicely among the nice things.

Ladyhawke

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Ladyhawke
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More quotes by Ladyhawke

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Since I've stopped drinking I'm way better at singing. I can project my voice better. I can actually walk on stage and make eye contact with the audience, which I never used to know how to do in the past. So, it's made a huge difference for me.
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I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
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I think love and obsession are almost one and the same thing at some times. Because the person you end up falling in love with, there is an element of obsession in the early days - it's all you can think about.
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That song [Money to Burn] is me being a fly on the wall in situations in LA. I mean, I've seen the way a lot of people operate and I've seen that sort of thing go down. There's a lot of rich kids with a little bit of extra money.
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You can't always be like 'sunshine and roses'. I like a little bit of darkness.
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It's amazing. Being clearheaded for a show, for starters. Not being reflux-y because of the amount of beer you've drunk.
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“Let is Roll” is like - well, it was like me thinking of a human being in its purest form. That form being a baby where there's nothing there - well, unless I guess you believe that something comes along attached. It depends on what you believe.
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I'm more of a whiz on the guitar and drums. I hear certain sounds in my head, and I find it easy to translate them into synth sounds, but I'm not really technically-minded.
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I'm just a small-town New Zealand girl. But, I do think it was incredibly necessary for me. Wild Things wouldn't exist if I hadn't have made some dramatic changes and that all happened in LA.
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I'm still always a country girl from New Zealand.
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I always make music that's reflective of the mindset I'm in at the time, and how I'm feeling.
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Lucy Lawless presented a couple of the awards. And, when I walked off the stage with her after one of them, she said Oh, I want to introduce you to my friend Madeleine, and that's how I met Madeleine. I realize that's a ridiculous story.
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I wear non-gender-specific clothes. I just look silly in girls' clothes. I'm quite tall, and they're never the right cut for me - T-shirts and stuff are always too low-cut or too short. I've worn boys' clothes forever because girls' stuff never felt right for me.
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Stupid things like that which I never took into consideration – that I never thought about before like Oh, maybe I'm hindering my singing by drinking all this amount before I go on stage. Maybe it's making me not project my voice properly.
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You don't say Maybe I should go to bed early tonight or do any of that stuff. It's almost like you know you're alone and you have to get through it by whatever means - distracting yourself. Because, the more alone time the worse, you know?
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I feel like in every song I write, I always write a little darker bit.
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Writing that sort of [songs like Let is Roll]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like Move on, Pip! Come on. You can do this! You can do this.
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It doesn't matter if there are 20, 40, 100, or 500 people there. It doesn't matter how many people. You've got to perform to those people because they've come.
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When I say “when you’re always almost lonely, you forget to take it slowly,” I mean that you don’t always take care of yourself.
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I think love and obsession are almost one in the same thing at some times. Because the person you end up falling in love with, there is an element of obsession in the early days - it's all you can think about.
Ladyhawke