I think there's a part of me that feels the need to hide a little bit behind a character.

I love being able to stay real to the world.

I'm a guy who has problems with moderation. All or nothing. Binge and purge. Kill or be killed. Gray is not a color I wear well. I should be dead. I know that. I should not be successful. I know that too. My daily existence is a toss of the coin - one side, fear, the other side, gratitude.

The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge.

I've always wanted to play with this idea - and I didn't want to leave it to the last season, but I wasn't quite sure when it was going to happen - of putting Jax [sons of Anarchy] at the head of the table and the ripple effect on the guys and the loyalties of it and where people land.

I have a loose blueprint of where I want the show to go. I stress, quite frankly to remind myself, that I hold onto that vision very loosely, so that I can be moving towards something, but I don't ever want to feel like I'm in a box that'll stop me from exploring a potential new direction.

I started doing some more specific research on Wales in that period because I like the idea of being authentic to the territory, and with that came the knowledge that there was this great rebellion that was happening with the Marcher barons and conflict with the king. A lot of it wasn't documented by the English.

As an actor, I've been drawn to those characters that are further away from who I may be.

I've learned in most areas of my life, to bounce heated choices off other people. Co-workers, my agent, my wife, a sponsor, etc. A majority of the time, that keeps me on the right side of things.

I navigate through the world with the excitement and determination of a child. That's why I'm an artist. I'd die without an outlet for expression. Unfortunately, more often than not, that childlike energy is the maturity level I bring to many circumstances.

My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse.

Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.

I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.

Me personally, I'm a guy who it took a long time to figure out what I'm supposed to be doing. I relate to a lot of that finding oneself a little later in the game, or being thrown a curve later in the game.

I was really exposed to great old-time literature - the classics, the poetic realists like Strindberg and Ibsen and all those guys. I was really inspired by all those guys. That's when writing became a primary focus.

All the people who follow me on Twitter know my sense of humor. I sometimes forget the blogosphere will give it more weight than I intended.