Caring about the environment has always been a big part of my life. When you grow up in a really beautiful place and you hear that it is jeopardised you want to do something.

It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I've had emails from people saying that they cried. They promised it wasn't the drugs.

Independent record stores are like a casino where you put down your money and you always win. How amazing to discover gems you didn't know about, to meet someone more passionate than you are, and to feel at home in a place you may never have been to before. I'm convinced they will never lose their place - Long may they rule.

It's unacceptable to tour using non-environmentally friendly fuel when there are alternatives.

Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.

I've always enjoyed dancing and going clubbing. I've always been interested in electronic music. I would love more than anything to see my music mutate into something that would be played in clubs. For sure.

I grew up knowing I could have had a million different lives. It makes your life mysterious and your imagination go wild.

It's lovely to get to say hello to people you've always admired from afar, but the fun really starts out front with people going commando whilst wearing daring mud suits.

If you have a problem at that level where there is hatred, prejudice, and anger, that has nothing to do with the other person. What is wrong with you that you are feeling that way? Look at yourself. Quite often it is their upbringing or their parent's problems. You got to get free. At some point you have to take responsibility for your actions.

Everybody Sails alone, but we can travel side by side

One of the main reasons that I love doing what I do is because it's unpredictable and I don't know what's coming next. When you're creating work, it's up to you whether it's an exciting experience or not.

I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band - individuals, not session musicians.

It's very important to me, who I play with and the same about picking a crew of people.

Of course we all break and we all cry and stumble. It's whether you allow the negative experiences to define you or shape you and make you become who you are in the best possible way. You use them as tools.