Quote

I feel Polish. More specifically, I feel like I'm from the tiny village in the Northeast of Poland where I have a house and where I love to spend time. But I don't work there. I cut wood.

Krzysztof Kieslowski

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Krzysztof Kieslowski
Age: 54 †
Born: 1941
Born: June 27
Died: 1996
Died: March 13
Author
Director
Film Director
Screenwriter
Warszawa
Krzysztof Kieslowski
Krzysztof Kieâslowski
Krzysztof Kieaslowski
Krzysztof Kiéslowski
Feel
Polish
Feels
Wood
Work
Village
Time
Woods
Love
Tiny
Like
Spend
Northeast
Cutting
Poland
House
Specifically

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We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
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The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black this is good, that's bad.
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I have no problem being with people of different nationalities.
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The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film.
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For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise - whatever appeals to you.
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Interior liberty is universal.
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I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
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Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.
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In ten phrases, the ten commandments express the essential of life. And these three words--liberty, equality, and fraternity--do just as much. Millions of people have died for those ideals.
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I have one good characteristic: I'm a pessimist, so I always imagine the worst - always. To me, the future is a black hole.
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Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.
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In real life, there are names that surprise us because they don't seem to suit the person at all.
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Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
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That's the greatest sin a director can commit to make a film simply because he wants to make a film.
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This man (Bergman) is one of the few film directors-perhaps the only one in the world-to have said as much about human nature as Dostoevsky or Camus.
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Of course I'd like to get beyond the concrete. But it's really difficult. Very difficult.
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I like chance meetings--life is full of them. Everyday, without realizing it, I pass people whom I should know. At this moment, in this cafe, we're sitting next to strangers. Everyone will get up, leave, and go on their own way. And they'll never meet again. And if they do, they won't realize that it's not for the first time.
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