I just owe it to myself, to God and to everybody who supports me and people who don't even know me yet, to just be fully intentional and authentically real with everything I do, say and create.

As a young, Black man, I absolutely feel responsible.

As a kid, there [on TV] were things I wasn't aware of - insecurities while transition from teen to adult. When I was around 17 and 18, I started seeing the benefits of this world.

I try to be as intentional as possible.

When the dialogue is on point and I feel like the overall story and message is really serving something that's socially progressive, it really makes me want to be a part of it.

I feel responsible to know what I'm talking about and to actually express myself the way I choose. We have to put those messages on a global platform period. That, to me, is inspiring.

If I choose this platform [The Black Arts Movement] and God validates this platform, I feel like we have to use the hyper-reality to get people closer to [actual] reality. Right now is so special because it's the information age and people just want to be aware and there's no better way of doing that than through art.

[Ralph Angel] was really about figuring out the humanity aspect of the character and not really paying attention to certain things like him being incarcerated or him being a father and showing that type of love and putting something before you, despite me not having kids in real life. He's vulnerable, ambitious and alive.

As much as he's been through, he's so alive and open to change. That's what I wanted to channel and I feel that's the root of who he is. So I was still and listening to God. All of that came together to really birth this human being known as Ralph Angel.

I've worked so hard to just be my full self and God has just validated me in so many ways.

I feel like the stillness of Ralph Angel - him being formerly incarcerated, being a Black man, being misunderstood in this world, I felt like that brought him to a place where he thought he had to be an observer - externally and internally.

That [Louisiana culture] was all very new to me. I read books and watched documentaries, just trying to immerse myself.

I really got attracted to the idea of touching so many people and that idea of art transcending entertainment and art and activism being synonymous.

Louisiana taught me another level of humility. Everyone is so content, not socially content but spiritually. Everyone is happy with who they are and loves their city regardless of what has happened here with Katrina and all the different stories. They have a sense of pride and it really rubbed off on me.

I really wanted to be a part of that movement or better yet create that movement.