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Because we live in a condition of ubiquitous music and media, and near infinite technological memory, it is much easier for local cultures to find an audience that resonates with their music, whether local or globally.

Kode9

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Kode9
Age: 50
Born: 1974
Born: January 1
Club Dj
Disc Jockey
Musical Artist
Writer
Glasgow
Scotland
Media
Local
Audience
Near
Whether
Condition
Ubiquitous
Culture
Memory
Resonates
Music
Infinite
Globally
Find
Conditions
Cultures
Live
Easier
Technological
Much
Memories
Locals

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Hyperdub started in 2001 as a web magazine, but we also did a few events in the early days before becoming a label.
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I wrote a short article called Yardcore for that issue, too, as an attempt to talk about the Jamaican influence on garage, grime and dubstep as a splicing of soundsystem culture and hardcore.
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Technical devices or processes which receive intensified investment during cold or hot wars spread through societies contagiously once their monopoly by the state has been undermined.
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Most music culture these days runs on systems and networks devised to deal with the aftermath of thermonuclear war. Music culture has a habit of using these moods and machines in creative, unintended ways.
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There is an uninformed myth circulating just now that makes dubstep way too important in the musical universe - don't believe the hype.
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Dubstep didn't invent bass, it just zoned in on it. Bass, to varying depths, is the foundation to most dance musics.
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Audio virology is not a metaphor. It is to be taken literally. It maps real processes of mutation, transmission, contagion and memory within music culture.
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