Sometimes you are working and you feel like walking out into the terrace, stretching, looking out and feeling the night air on your face.

Basically you can do anything in a film. I could have place a spaceship in the middle of a street. You can do anything, and I love to talk about this because is so organic to the process.

When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.

I've seen a lot of Brazilian films and most times I kind of react negatively, because of the way I think they portray places they don't really know or care about. This is something that I specifically tried to avoid in my film.