Basically you can do anything in a film. I could have place a spaceship in the middle of a street. You can do anything, and I love to talk about this because is so organic to the process.

Sometimes you are working and you feel like walking out into the terrace, stretching, looking out and feeling the night air on your face.

I've seen a lot of Brazilian films and most times I kind of react negatively, because of the way I think they portray places they don't really know or care about. This is something that I specifically tried to avoid in my film.

When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.