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Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.

Kirk Hammett

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Kirk Hammett
Age: 62
Born: 1962
Born: November 18
Guitarist
Songwriter
San Francisco County
California
Kirk Lee Hammett
Clean
Nineties
Early
Heads
Nice
Studio
Sound
Stopped
Used
Incredible
Wells
Studios
Well
Warm
Amps
Made
Guitar
Blended

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Metallica is a very complicated, fragile thing. On the outside, it's all metal, but on the inside it's very delicate.
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My guitars are my umbilical cord. They're directly wired into my head.
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Much of my playing is rhythmic and choppy I use a lot of double stops. The wah just accents all those stops and chops and brings out the rhythmic aspect that much more.
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I don't think success has changed us as people at all. We are the same lunatics that we were when this band first got going. We never see ourselves as being on a higher level than our fans.
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I think it's morally wrong to keep someone away from what keeps him happy.
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A life lived unexplored is a life not worth living.
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If I had unlimited funds, wall space and storage, I would collect a lot more things, like 'Planet of the Apes,' 'Star Wars,' science fiction stuff, autographs, and prop guns and weapons. I have to draw the line somewhere.
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I'm not into that whole Satanic thing. It's just something to fall back on if you don't have much imagination. Singing you fiftieth song about having lunch with Satan--I'm not into it. It's silly.
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Although I'm a lead guitarist, I'd say that a good 95 percent of my time onstage is spent playing rhythm.
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When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
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The main riff for 'SandMan' was just something I wrote one night.
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It really shocked me just to hear of the fans' response to 'St. Anger' not having guitar solos.
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Guitar players in the nineties seem to be reacting against the technique oriented eighties.
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For a while I was collecting Satan and devil stuff - you know, anything that had to do with old Beelzebub or Lucifer. But I had to put the brakes on it, because there's a lot of stuff out there, and the collection was just growing too quickly.
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Jeff Beck is one of my heroes and has been since I first picked up a guitar.
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I've been into horror movies ever since I was five years old.
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I'm death obsessed. You know, I have death all over my house. I have a stuffed two headed sheep!
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I went through a whole blues period in the Nineties, and that had some influence on 'Load' and 'ReLoad.'
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For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day', I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
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I was really, really wild in my early twenties and a bit self-destructive.
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