Quote

Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger and sorrow seeing this.

Kim Hyesoon

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Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Feel
Margins
Feels
Trivial
Things
Dishes
Men
Anger
Think
Merely
Thinking
Sorrow
Seeing
Seasoning
Women
Dish

More quotes by Kim Hyesoon

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As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
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The body of poetry is nothing but energy, waves, rhythm.
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Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity that I cannot identify.
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Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.
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We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become the paper made of human meat, we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
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Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
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When anger and sorrow overflow, sometimes it becomes poetry.
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When I first started to write poetry, I used to feel as if my tongue would go numb.
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When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
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As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body.
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There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
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Mother does not exist, like water that has given life to a flower and then disappeared. Mothers live somewhere after giving birth to us.
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If you propose there is a feminism problem in Korea, somebody would point out that you are bringing up antiquated issues. No one acknowledges that discrimination against women is still widespread.
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My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
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The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.
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The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
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Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
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In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angyŏ (prostitute).
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I have to reach the poetry condition to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.
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If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.
Kim Hyesoon