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Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.

Kim Hyesoon

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Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Writing
Ways
Relive
Way
Days
Tomb
Dies
Tombs
Times
Poems
Woman
Clearly
Death
Poetry
Remember
Inside
Many
Saying

More quotes by Kim Hyesoon

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If you happen to live in Korea, you might always suffer from anger towards people in power, because of political and social problems. I felt gloomy under this social dictatorship. Looking back, I feel like I never saw a sunrise in Seoul.
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When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
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When anger and sorrow overflow, sometimes it becomes poetry.
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If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.
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As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body.
Kim Hyesoon
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I am a tomb robber who is robbing my own tomb. Things from my tomb are exhibited under the radiant sun. Every time it happens I feel crude.
Kim Hyesoon
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Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
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Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.
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As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
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The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
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The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.
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Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
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In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angyŏ (prostitute).
Kim Hyesoon
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When I first started to write poetry, I used to feel as if my tongue would go numb.
Kim Hyesoon
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There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
Kim Hyesoon
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Mother does not exist, like water that has given life to a flower and then disappeared. Mothers live somewhere after giving birth to us.
Kim Hyesoon
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Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger and sorrow seeing this.
Kim Hyesoon
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Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
Kim Hyesoon
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The body of poetry is nothing but energy, waves, rhythm.
Kim Hyesoon
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We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become the paper made of human meat, we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
Kim Hyesoon