Quote

I have to reach the poetry condition to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.

Kim Hyesoon

Change background

T
T
T

Change font

TAGS & TOPICS

Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Dead
Erased
Write
Disappeared
Around
Border
Writing
Borders
Condition
Reach
Poetry
Thinned
Conditions
Blurred

More quotes by Kim Hyesoon

Image
Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
Kim Hyesoon
Image
Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
Kim Hyesoon
Image
If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.
Kim Hyesoon
Image
When anger and sorrow overflow, sometimes it becomes poetry.
Kim Hyesoon
Image
The body of poetry is nothing but energy, waves, rhythm.
Kim Hyesoon
Image
If you happen to live in Korea, you might always suffer from anger towards people in power, because of political and social problems. I felt gloomy under this social dictatorship. Looking back, I feel like I never saw a sunrise in Seoul.
Kim Hyesoon
Image
If you propose there is a feminism problem in Korea, somebody would point out that you are bringing up antiquated issues. No one acknowledges that discrimination against women is still widespread.
Kim Hyesoon
Image
When I first started to write poetry, I used to feel as if my tongue would go numb.
Kim Hyesoon
Image
I am a tomb robber who is robbing my own tomb. Things from my tomb are exhibited under the radiant sun. Every time it happens I feel crude.
Kim Hyesoon
Image
There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
Kim Hyesoon
Image
Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.
Kim Hyesoon
Image
Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
Kim Hyesoon
Image
The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
Kim Hyesoon
Image
Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.
Kim Hyesoon
Image
In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angyŏ (prostitute).
Kim Hyesoon
Image
Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.
Kim Hyesoon
Image
My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
Kim Hyesoon
Image
Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity that I cannot identify.
Kim Hyesoon
Image
Mother does not exist, like water that has given life to a flower and then disappeared. Mothers live somewhere after giving birth to us.
Kim Hyesoon
Image
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
Kim Hyesoon