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When anger and sorrow overflow, sometimes it becomes poetry.

Kim Hyesoon

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Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Overflow
Anger
Sorrow
Poetry
Becomes
Sometimes

More quotes by Kim Hyesoon

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Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.
Kim Hyesoon
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There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
Kim Hyesoon
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I have to reach the poetry condition to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.
Kim Hyesoon
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The body of poetry is nothing but energy, waves, rhythm.
Kim Hyesoon
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Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
Kim Hyesoon
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As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
Kim Hyesoon
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When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
Kim Hyesoon
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The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.
Kim Hyesoon
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Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity that I cannot identify.
Kim Hyesoon
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Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
Kim Hyesoon
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Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.
Kim Hyesoon
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We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become the paper made of human meat, we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
Kim Hyesoon
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When I first started to write poetry, I used to feel as if my tongue would go numb.
Kim Hyesoon
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In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angyŏ (prostitute).
Kim Hyesoon
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As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body.
Kim Hyesoon
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Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
Kim Hyesoon
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Mother does not exist, like water that has given life to a flower and then disappeared. Mothers live somewhere after giving birth to us.
Kim Hyesoon
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The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
Kim Hyesoon
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Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
Kim Hyesoon
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If you happen to live in Korea, you might always suffer from anger towards people in power, because of political and social problems. I felt gloomy under this social dictatorship. Looking back, I feel like I never saw a sunrise in Seoul.
Kim Hyesoon