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When anger and sorrow overflow, sometimes it becomes poetry.

Kim Hyesoon

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Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Overflow
Anger
Sorrow
Poetry
Becomes
Sometimes

More quotes by Kim Hyesoon

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Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.
Kim Hyesoon
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Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
Kim Hyesoon
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My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
Kim Hyesoon
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We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become the paper made of human meat, we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
Kim Hyesoon
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I have to reach the poetry condition to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.
Kim Hyesoon
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As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
Kim Hyesoon
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If you happen to live in Korea, you might always suffer from anger towards people in power, because of political and social problems. I felt gloomy under this social dictatorship. Looking back, I feel like I never saw a sunrise in Seoul.
Kim Hyesoon
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Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger and sorrow seeing this.
Kim Hyesoon
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If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.
Kim Hyesoon
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Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
Kim Hyesoon
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Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.
Kim Hyesoon
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I am a tomb robber who is robbing my own tomb. Things from my tomb are exhibited under the radiant sun. Every time it happens I feel crude.
Kim Hyesoon
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Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.
Kim Hyesoon
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The body of poetry is nothing but energy, waves, rhythm.
Kim Hyesoon
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Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
Kim Hyesoon
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As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body.
Kim Hyesoon
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Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
Kim Hyesoon
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When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
Kim Hyesoon
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In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angyŏ (prostitute).
Kim Hyesoon
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If you propose there is a feminism problem in Korea, somebody would point out that you are bringing up antiquated issues. No one acknowledges that discrimination against women is still widespread.
Kim Hyesoon