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If you happen to live in Korea, you might always suffer from anger towards people in power, because of political and social problems. I felt gloomy under this social dictatorship. Looking back, I feel like I never saw a sunrise in Seoul.

Kim Hyesoon

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Kim Hyesoon
Age: 69
Born: 1955
Born: January 1
Poet
Writer
Always
Happens
Saws
Seoul
Never
Power
Problems
Gloomy
Like
Problem
Happen
Sunrise
People
Back
Looking
Dictatorship
Live
Suffering
Korea
Might
Social
Suffer
Feel
Felt
Towards
Feels
Political
Anger

More quotes by Kim Hyesoon

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The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.
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If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.
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There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
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Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity that I cannot identify.
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Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.
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Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
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Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
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If you propose there is a feminism problem in Korea, somebody would point out that you are bringing up antiquated issues. No one acknowledges that discrimination against women is still widespread.
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My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
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Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.
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Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.
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When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.
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Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
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The body of poetry is nothing but energy, waves, rhythm.
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I have to reach the poetry condition to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.
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When I first started to write poetry, I used to feel as if my tongue would go numb.
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We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become the paper made of human meat, we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
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As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body.
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As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
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When anger and sorrow overflow, sometimes it becomes poetry.
Kim Hyesoon