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A great deal remains to be done in Afghanistan and the jury is out as to whether the international community has the commitment and the patience to see the rebuilding process through.

Khaled Hosseini

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Khaled Hosseini
Age: 59
Born: 1965
Born: March 4
Medical Writer
Novelist
Physician
Physician Writer
Writer
Cabool
Process
Patience
Done
International
Great
Commitment
Remains
Deal
Deals
Rebuilding
Community
Jury
Whether
Afghanistan

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People learned to live with the most unimaginable things.
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Then I think of all the tricks, all the minutes all the hours and days and weeks and months and years waiting for me. All of it without them. And I can't breathe then, like someone's stepping on my heart, Laila. So weak I just want to collapse somewhere.
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Years later, I learned an English word for the creature that Assef was, a word for which a good Farsi equivalent does not exist: sociopath.
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People in the countryside carry a sense of dignity. They wear it, don't they? Like a badge? I'm being genuine.
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I have this almost pathological fear of boring the reader.
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One could not count the moons that shimmer on her roofs, Or the thousand splendid suns that hide behind her walls.
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For a novelist, it’s kind of an onerous burden to represent an entire culture. That said, I’m in a unique position to speak on behalf of Afghanistan on certain issues that I feel are important, particularly the issue of Afghan refugees.
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One time, when I was very little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.
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I came to the US as an immigrant and I recall vividly those first few years in California, the brief time we spent on welfare, and the difficult task of assimilating into a new culture.
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Perhaps this is just punishment for those who have been heartless, to understand only when nothing can be undone.
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In the coming days and weeks, Laila would scramble frantically to commit it all to memory, what happened next. Like an art lover running out of a burning museum, she would grab whatever she could--a look, a whisper, a moan--to salvage from perishing to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all.
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I think the emancipation of women in Afghanistan has to come from inside, through Afghans themselves, gradually, over time.
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As far as I know, he never asked where she had been or why she had left and she never told. I guess some stories do not need telling.
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The finger cut, to save the hand.
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At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
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It's hard when you make a film from a book that so many people love, because there's no way to get the entire story into a two-hour movie. But I was pleased with the reaction [for Kite Runner].
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It was you Nabi. It was always you. Didn't you know?
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You see, some things I can teach you. Some you learn from books. But there are things that, well, you have to see and feel.
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There [in Afghanistan ] is a tremendous need for selter. So I am focusing most of the efforts of the foundation to building shelters for refugees in northern Afghanistan and we have already begun doing so.
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