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I think that there is no doubt that every experience you have in your life, whether it's playing a character or something else, you bring that to the work.
Kevin Spacey
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Kevin Spacey
Age: 65
Born: 1959
Born: July 26
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
South Orange
New Jersey
Kevin Spacey Fowler
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Theatre is alive and it is now, and then it's gone.
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No one should ever feel sorry for me. Ive been treated very well for the most part.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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I dont categorize characters into one syllable. These are fully-rounded characters that I dont judge I just play them.
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I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
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Meeting the person you are going to be playing is very unique.
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We have to start listening to nature now.
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We have learned the lesson that the music industry didn't learn. Give people what they want, when they want it, in the form they want it in, at a reasonable price - and they'll more likely pay for it rather than steal it.
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Gaming is going into storytelling. It was a new audience.
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In recent years we've seen an explosion of creative programming, and I think it represents a third golden age of television because the creators have more control over the story. The audience doesn't care about the platform. They care about the content.
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It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
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You are not just, This is the way I play it every night. You are constantly finding new ways in, new attacks, I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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Its extremely dangerous to compare anyone else to Shakespeare.
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Pushing the boundaries of what is expected of you is important to me.
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Essentially, your voice is an instrument its a muscle, and you have to treat it like a muscle, and so you have to work it.
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Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller.
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I have long been a supporter of The Princes Trust, and so when American Express asked me to launch Amex Be Inspired and help young people build their confidence and fulfil their potential, I was delighted to get involved.
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There's something really incredible about watching what someone else does with a role that we know: the Hamlets or the Henry Vs or the Othellos or the Cleopatras that we've seen on stage.
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It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
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