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Essentially, your voice is an instrument its a muscle, and you have to treat it like a muscle, and so you have to work it.
Kevin Spacey
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Kevin Spacey
Age: 65
Born: 1959
Born: July 26
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
South Orange
New Jersey
Kevin Spacey Fowler
Voice
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Essentially
Muscles
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Instruments
More quotes by Kevin Spacey
Fortunately for me, I don't come from the school where you only measure success by how much money something makes or whether it has a big box-office weekend. I measure it by how much people actually participate in the process.
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Stay true to your brand and true to your voice and audiences will respond to that authenticity with enthusiasm and passion.
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What I do is interpret, not create. I may add elements and do something different. That is what is so incredible about theatre. Why do we love it that there are nine Hamletsor six King Lears over two years? We love to watch a different actor attack the same material.
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If someone can watch an entire season of a TV series in one day, doesnt that show an incredible attention span?
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I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
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I never doubted at all. If you ever doubt then you are in trouble. I never thought: 'I should do this or that in case I don't make it.' I never had a back-up plan.
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I have always believed that the risk takers are eventually rewarded.
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It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
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Secondarily, I think films that are driven by music also terrify studios.
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Im able to hang up the character with the costume at the end of the movie.
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I've been around politics a long time. I've seen it at its best and its worst, been at so many events, listened to private conversations versus public speaking, understood the game of it, and in many ways the theatrics.
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The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
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The Old Vic has always been first and foremost an actors theatre, a home for great talent and memorable performances.
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I feel it's a responsibility for anyone who breaks through a certain ceiling... to send the elevator back down and give others a helpful lift.
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You've got to trust the ground you're standing on and the work you've done in telling your story. The goal should be to bring those thousands of people - viewers - together and make them one. When you feel that happening, it's usually in silence, not applause or laughter.
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For me, coming to work every day has turned out to be exactly what I hoped it would be.
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Why not sit around a Beverly Hills pool collecting residual cheques? That is not the kind of life I want.
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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The less you know about me the easier it is to convince you that I'm the character on screen.
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People have really long attention spans, and they love complicated plots. TV series are giving the audience what they want.
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