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Cable TV has become where the best actors, writers and directors have gone to work because they are allowed to do character-driven stories.

Kevin Spacey

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Kevin Spacey
Age: 65
Born: 1959
Born: July 26
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
South Orange
New Jersey
Kevin Spacey Fowler
Become
Cables
Character
Allowed
Best
Driven
Work
Writers
Directors
Gone
Actors
Stories
Cable

More quotes by Kevin Spacey

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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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A man can convince anyone hes someone else but never himself.
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After graduation, I was floundering in L.A., doing stand-up comedy and working in a shoe store in the Valley.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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Secret Cinema has created a new way of experiencing film. The fusion of film and theatre allows for a much more powerful experience and adds an incredibly unique dimension for the audience. It certainly did for me. I was blown away
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I think that acting is a very humanizing profession.
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You've got to trust the ground you're standing on and the work you've done in telling your story. The goal should be to bring those thousands of people - viewers - together and make them one. When you feel that happening, it's usually in silence, not applause or laughter.
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I never doubted at all. If you ever doubt then you are in trouble. I never thought: 'I should do this or that in case I don't make it.' I never had a back-up plan.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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No one’s personal life is in the public interest. It’s gossip, bottom line. End of story.
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[What's my favourite book?] It changes all the time.
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My mother was sarcastic and delightful and, trust me, quite remarkable.
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But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.
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I dont even think in terms of ambition.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
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Secondarily, I think films that are driven by music also terrify studios.
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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We have to start listening to nature now.
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Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
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