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It's Hard to Stay Mad When There's So Much Beauty in the World

Kevin Spacey

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Kevin Spacey
Age: 65
Born: 1959
Born: July 26
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
South Orange
New Jersey
Kevin Spacey Fowler
Janie
Mad
Stay
Beauty
Hard
Much
World

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No one should ever feel sorry for me. Ive been treated very well for the most part.
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I've been around politics a long time. I've seen it at its best and its worst, been at so many events, listened to private conversations versus public speaking, understood the game of it, and in many ways the theatrics.
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I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
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At the end of the day, storytelling is actually very simple in its origin as long as there are people who want to tell stories and there are people who want to hear them.
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To know what you want, to understand why you're doing it, to dedicate every breath in your body to achieve... If you feel you have something to give, if you feel that your particular talent is worth developing, is worth caring for then there's nothing you can`t achieve.
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I never doubted at all. If you ever doubt then you are in trouble. I never thought: 'I should do this or that in case I don't make it.' I never had a back-up plan.
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Secondarily, I think films that are driven by music also terrify studios.
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The control is shifting because of the democratisation of the internet. My industry is very good at building walls to stop people getting in.
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You risk working with this director, you risk making this movie, you risk working with another actor you don't know. It makes your heart beat faster. And it keeps you interested.
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I certainly identify with the role of mentor and, to some degree, maybe teacher. I do a lot of work with kids at the Old Vic.
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You've got to trust the ground you're standing on and the work you've done in telling your story. The goal should be to bring those thousands of people - viewers - together and make them one. When you feel that happening, it's usually in silence, not applause or laughter.
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I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
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I have always believed that the risk takers are eventually rewarded.
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I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
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I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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People have really long attention spans, and they love complicated plots. TV series are giving the audience what they want.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.
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While data can only tell you what has happened in the past, it can in some ways give you a sense of what might be of interest to an audience in the future.
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