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Wanting people to listen, you can't just tap them on the shoulder anymore. You have to hit them with a sledgehammer, and then you'll notice you've got their strict attention.
Kevin Spacey
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Kevin Spacey
Age: 65
Born: 1959
Born: July 26
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
South Orange
New Jersey
Kevin Spacey Fowler
Attention
Shoulder
Doe
Strict
People
Notice
Wanting
Shoulders
Anymore
Seven
Listen
Sledgehammer
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Meeting the person you are going to be playing is very unique.
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Essentially, your voice is an instrument its a muscle, and you have to treat it like a muscle, and so you have to work it.
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Look, at the end of the day people have to respect people's differences. I am different than some people would like me to be.
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I terribly miss - we all miss, I think - somebody like the great producer Irving Thalberg. He had a foot in both camps: He understood us creative people. And he understood the money people.
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Audiences grew to like this duality of feeling, where youre both championing a character and youre revolted by them.
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I dont even think in terms of ambition.
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If you haven't turned rebel by twenty you've got no heart if you haven't turned establishment by thirty you've got no brains!
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I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
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It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
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Anytime someone can beat the acting out of someone else, I think its a wonderful thing.
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I feel it's a responsibility for anyone who breaks through a certain ceiling... to send the elevator back down and give others a helpful lift.
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I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
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The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
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It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
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If you're lucky enough to have done well, then it's your responsibility to send the elevator back down.
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For me, coming to work every day has turned out to be exactly what I hoped it would be.
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It's the kind of democratization of the Internet that has led to the breaking down of barriers into the creative arts.
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If you wanna compete, youve got to get into the original content game.
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My job is to interpret. I'm an interpreter. I can add things and bring unique qualities to the role that the writer may not have thought of, but someone else created the fundamental idea.
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I think that acting is a very humanizing profession.
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