Quote

The technique's many benefits for actors include minimized tension, centeredness, vocal relaxation, and responsiveness, mind/body connection and about an inch and a half of additional height.

Kevin Kline

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Kevin Kline
Age: 77
Born: 1947
Born: October 24
Film Actor
Film Director
Stage Actor
Television Actor
Theatrical Director
Voice Actor
St. Louis
Missouri
Kevin Delaney Kline
Kevin D. Kline
Technique
Inch
Connections
Relaxation
Benefits
Vocal
Half
Include
Actors
Inches
Body
Tension
Minimized
Many
Height
Responsiveness
Mind
Connection
Additional

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I'm a real pushover for animals.
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I think every American actor wants to be a movie star. But I never wanted to do stupid movies, I wanted to do films. I vowed I would never do a commercial, nor would I do a soap opera - both of which I did as soon as I left the Acting Company and was starving.
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I've never felt completely satisfied with what I've done. I tend to see things too critically. I'm trying to get over that.
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Nobody sees the same movie. I'm sure there are people who saw Butch Cassidy and the Sundance Kid and thought Finally a gay movie about men who really care about each other. Thank God! That's not what I saw necessarily but I don't think any two people see the same movie.
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I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.
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I just don't think I'm a very good singer.
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You know, actors are fans, too. And talent is very attractive to me.
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The worth of a life is not determined by a single failure or a solitary success.
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We're all animals, but we're a different sort of animal. Maybe they're better than us. They're more loyal. They're more pure. They're more simple. They're not neurotic. Well, there are some neurotic dogs.
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Hindsight. It's like foresight without a future.
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People ask, 'What's the best role you've ever played?' The next one.
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I've done a couple of movies for scale, and it's the only way to get a lot of these independent movies made. The actors negotiate deals where they're given just enough money to live on during the filming, but then they participate in the back-end. If the movie suddenly makes a gazillion dollars, we'll participate in that profit.
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But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
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It was all completely incomprehensible to me. I was fearful of the language. You had to look up every third word.
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I see God as a song-and-dance man. If I had my way, he'd be able to carry a tune, too. Preferably, one of mine.
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Most of the comedies I've done have been rather farcical and extravagant.
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I like variety, which is frustrating. But I've always been picky. I was afraid Pirates would be too much like Twentieth Century, broad comedy. But my agent talked me into it. I was spoiled by the range of a repertory theater.
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It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.
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I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.
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Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.
Kevin Kline