I've found that depending on the amount of the check, disciplined inspiration can be called upon willingly. I think the name of the lesser known tenth muse was Dollar Dollar Bill Y'all.

Not every story lends itself tonally to humor, so you have to navigate that territory properly. You can put a humorous spin on anything, really, if you know what you're doing, but it's not always desirable to have your reader laughing on every page.

Energy seems to be the more critical of those two variables, because if I'm really feeling the push/pull to write, then I'll make the time.

You know, there are those writers who work at writing every day. I'm not one of those guys. I tend to work at varying levels of intensity, based on the amount of time and energy I have available.

I suppose most writers are following Twain's advice to tackle what they know, and my own readings habits drew me to writers who seemed to be writing honestly from their own experiences, whether they presented it in the guise of fiction or not.

Engaging with creativity in a serious way is a shamanistic activity, and by extension when you choose to follow a mystical path you cannot have a normal life within the community. Your job is to stand outside the community and hold up the mirror.

As I've picked up more responsibilities in life, I've found nearly every one of those extra burdens drains me in a way that makes writing more difficult. That may not be the case for everyone - I know plenty of writers and artists who seem to have energy in abundance for all the facets of life but are they producing anything worthwhile?

What I need to write is a complicated equation. Maybe if I knew I'd be one of those writers, one of the steady ones. I rest upon my assertion that there has to be some balance of energy, or, failing a balance, a focused intensity of ALL energy. I've experienced both, I suppose.

I've always been a fan of comedy, and I understood from a young age that what makes most comedy work is the immediacy of first person experience. I'd spent a lot of time from 1995-1998 focusing almost exclusively on poetry, and it's an incredibly difficult form in which to achieve a sustained comic tone unless you're Alexander Pope.