Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me I just liked playing them.

For some reason, I deliberately allow for simple things like three chords to mystify me. It's kind of fun that way. Like Billy Gibbons' guitar sound isn't the way it is because he uses a quarter as a pick or anything as simple as that it's because he's in touch with a different sector of the cosmos that we know nothing about.

As a kid, image played a huge part. I'm sure most kids find the image of the guitarist exciting.

The latest thing that has caught me by surprise is Maryanne Amacher. I like sound that affects the listener physically. Traits such as complexity or simplicity don't really become a factor then. It's just the sound that I pay attention to.

From the time I wake up until the time I go to bed, music is unfortunately on my mind, on my stereo, or I'm making it or talking about it.

I like to allow accidents to happen, not to force them, and yet not let myself feel miserable if they do happen, because they are so often the best things.

It's weird - I can listen to a guitar player or a rock record over and over again and really enjoy whatever the guitarist is doing. But when I do it, after 30 seconds or so I get really frustrated and can't understand why I, or anyone else, would want to write songs.