We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.

I think it is good for people who are incarcerated or who are bound up one way or the other-people like Lily Kimball and all the prostitues of Memphis. This gal, she needs some wings, and a good song can make that happen.

It’s bound to be one hell of a steel wheelin, railroadin good time…while the western country rolls by and the smoke rises blacker than musical notes pouring out of that stoked-up-and-chuggin iron chariot.

Because music gets you high, so it makes sense to sing about what else gets you high.

I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.

It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.

I think country music is a champion of women. That stuff coming out of Nashville now wants to see a woman looking good in the kitchen whipping up some biscuits.

This indie rock stuff, I mean I like it, too - it pushes all my buttons: sex appeal, dissonance. It's emotive, disenchanted.

Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.

We never had a girl in the band. Why? Certainly there's some rippin' female players in our kind of music. We have no objection to it. It'd be wonderful.

Sometimes our significant others travel with us.