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Comics were a place where captivating images lit your imagination and showed you that you can create new kinds of people and worlds.
Kerry James Marshall
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Kerry James Marshall
Age: 69
Born: 1955
Born: October 17
Artist
Drawer
Painter
Birmingham
Alabama
Kerry Marshall
Kinds
Create
Imagination
Captivating
Place
Lit
Kind
Comics
World
Showed
People
Worlds
Images
More quotes by Kerry James Marshall
What I was trying to construct was relative symmetry, where it seems clear that the shapes have arrived through consideration.
Kerry James Marshall
Abstraction and representation are supposed to be going down two very different paths, one sociological and the other aesthetic.
Kerry James Marshall
In some ways you still have to buy your freedom, but that's because you live in a social structure that's organized around capital, and capital does equate with a certain kind of freedom, especially if you can start to generate capital on your own.
Kerry James Marshall
The privileged position of whiteness doesn't allow for someone with one drop of Negro blood to be considered white, which allows whiteness to be a fairly pure category while blackness has to absorb an expansive reality of representation.
Kerry James Marshall
Like a lot of young people who wanted to be artists, comics were a gateway for me.
Kerry James Marshall
I don't see those paintings as abstractions, especially because they are emblems of the inkblot. They aren't smashed together they are constructed shape-by-shape, layer-by-layer, like any other picture.
Kerry James Marshall
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the way in which blackness, in the extreme, has been stigmatized and the way it was often joked that you couldn't see black people in the dark until they had their eyes open or were smiling.
Kerry James Marshall
I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.
Kerry James Marshall
I think the museum should be an arena in which ideals can hash it out, fight it out, tooth and nail, for attention.
Kerry James Marshall
I really just want to be an inspiration. I'm a regular guy, that had a dream, that came from a small town, that wanted to play guitar and just liked playing. I want to encourage people.
Kerry James Marshall
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were perfectly satisfied with the narrative they were constructing.
Kerry James Marshall
The moment you introduce difference into a museum, then the privileged space is contested, and under the most ideal circumstances what all artists want is the chance to be competitive. That's what I think the museum is supposed to be.
Kerry James Marshall
In some places you can find an extreme blackness used as a descriptive. I also take into account historical realities that some of this range in color is the legacy of white supremacy.
Kerry James Marshall
My own personal sound is really progressive. It's like a mixture of gospel, pop, neo-soul, R&B. It's like a huge gumbo. If you're eating gumbo you grab a whole like cup full of whatever. You're getting a whole bunch of stuff that makes this amazing food in your mouth. So that's essentially kind of like what my sound is.
Kerry James Marshall
I think we need to remember...that a lot of energy was put into changing things to get us to the point where we are now. But being where we are now doesn't mean that we don't have to put in the same kind of energy to get us to a place where we ought to be.
Kerry James Marshall
A lot of stuff that I dealt with - music was my serenity, like kind of my safe place, my haven that I would just use in order to really just get away from the things that I saw every day. To kind of erase the things that I saw. So I stayed playing.
Kerry James Marshall
The first freedom is to be in possession of yourself - to own yourself, to not be subject to the will of somebody else. In a capitalist society, that means having a certain economic wherewithal so that you can do what you wish to do without having to ask permission.
Kerry James Marshall
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way of making work.
Kerry James Marshall
If you have a dream: Number one, make a plan. And then execute that plan. And there will be failures along that line. Don't let that discourage you. Because failure is part of the process ... make the necessary adjustments and you can be successful at whatever you do.
Kerry James Marshall
I still make paintings and use the figure it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.
Kerry James Marshall
