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I think the museum should be an arena in which ideals can hash it out, fight it out, tooth and nail, for attention.
Kerry James Marshall
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Kerry James Marshall
Age: 69
Born: 1955
Born: October 17
Artist
Drawer
Painter
Birmingham
Alabama
Kerry Marshall
Fight
Tooth
Attention
Nail
Fighting
Museum
Think
Arena
Thinking
Nails
Museums
Teeth
Ideals
Hash
More quotes by Kerry James Marshall
[My picture A Portrait of the Artist as a Shadow of His Former Self ] was a way of demonstrating that there was a broad range of possibilities and fairly unlimited utility for a black figure that didn't have to comprise its blackness in order to preserve a place in the field of representation.
Kerry James Marshall
I still make paintings and use the figure it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.
Kerry James Marshall
Part of the history of black people in the western hemisphere, in some ways, has been fleeing from this notion that they were black. So I can represent an ideal, and with that, you can demonstrate that there is nothing to be afraid of, nothing to run from, and that, in fact, a good deal of beauty that resides there.
Kerry James Marshall
I try to tell a story when I'm playing. I try to make an emotional connection when I'm playing versus before I played just to play. Now there's a sense of purpose of why I play, of how I play. So people can actually feel what I'm saying to them.
Kerry James Marshall
Like a lot of young people who wanted to be artists, comics were a gateway for me.
Kerry James Marshall
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor.
Kerry James Marshall
I really just want to be an inspiration. I'm a regular guy, that had a dream, that came from a small town, that wanted to play guitar and just liked playing. I want to encourage people.
Kerry James Marshall
I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.
Kerry James Marshall
A lot of stuff that I dealt with - music was my serenity, like kind of my safe place, my haven that I would just use in order to really just get away from the things that I saw every day. To kind of erase the things that I saw. So I stayed playing.
Kerry James Marshall
In some ways you still have to buy your freedom, but that's because you live in a social structure that's organized around capital, and capital does equate with a certain kind of freedom, especially if you can start to generate capital on your own.
Kerry James Marshall
The moment you introduce difference into a museum, then the privileged space is contested, and under the most ideal circumstances what all artists want is the chance to be competitive. That's what I think the museum is supposed to be.
Kerry James Marshall
What I was trying to construct was relative symmetry, where it seems clear that the shapes have arrived through consideration.
Kerry James Marshall
Abstraction and representation are supposed to be going down two very different paths, one sociological and the other aesthetic.
Kerry James Marshall
Black painters have done all kinds of work. It's the treatment of forms they engage in-that's what determines the value of the work, not whether you call them a black artist or not.
Kerry James Marshall
In some places you can find an extreme blackness used as a descriptive. I also take into account historical realities that some of this range in color is the legacy of white supremacy.
Kerry James Marshall
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the way in which blackness, in the extreme, has been stigmatized and the way it was often joked that you couldn't see black people in the dark until they had their eyes open or were smiling.
Kerry James Marshall
I think we need to remember...that a lot of energy was put into changing things to get us to the point where we are now. But being where we are now doesn't mean that we don't have to put in the same kind of energy to get us to a place where we ought to be.
Kerry James Marshall
Before people outside of the Western European tradition started asking to be in there, the people who were accumulating objects for the museum were perfectly satisfied with the narrative they were constructing.
Kerry James Marshall
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way of making work.
Kerry James Marshall
If you have a dream: Number one, make a plan. And then execute that plan. And there will be failures along that line. Don't let that discourage you. Because failure is part of the process ... make the necessary adjustments and you can be successful at whatever you do.
Kerry James Marshall
