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When you're a man, you're often in situations where you have to decide how far you're going to go in an argument. How big is the other guy? All this stuff that girls don't have to worry about as much, because that's not part of the equation.

Kenneth Lonergan

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Kenneth Lonergan
Age: 62
Born: 1962
Born: October 16
Actor
Author
Film Director
Playwright
Screenwriter
Theatrical Director
New York City
New York
Often
Situations
Stuff
Decide
Part
Argument
Going
Girls
Much
Worry
Men
Situation
Guy
Girl
Equation

More quotes by Kenneth Lonergan

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I was nearly a teen-ager before I stopped assuming that everyone I met was Jewish.
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It's not a character flaw to become an adult.
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There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
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I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
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I'm always struck when I go somewhere I've never been before, especially if it's in my home town, by just how different the atmosphere can be, and how disorienting it can be - especially if there's any kind of trouble.
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I feel like if you can describe something fully and accurately, then people will be able to see it themselves - they don't need be told what to.
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When you have people like Casey [Affleck] and Michelle Williams and they want to do more takes you don't say, Sorry, that's it. And I also don't like to say, It's fine, it's great. Unless it's clearly there.
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I think the more dangerous and dire the political circumstances seem, the more you attach value to anything that shows you why a human being is a human being or human experience or view of the world in that way.
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You can shoot a film in New York without seeing the Empire State Building. Or Starbucks...although the latter is much less realistic.
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[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
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I actually think storyboards are great. I don't draw well enough to do them myself. I've only used storyboards a couple of times.
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The world doesn't grieve when you're grieving. The world goes on about its business. You're having a good day and I'm having a bad one and vice versa. And they could be very good and very bad at the same time. You multiply that by seven billion and you have one element of human experience.
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I trust my judgment when I think it's boring, dull, tepid and not interesting. That's important to listen to. And the same on the set. That's a little easier because you can see it in front of you and you can just see how great they are and you know you have something wonderful when they do something wonderful.
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I often find myself writing about people taking care of each other, or trying to. And often seem to write about situations that are too big for the characters.
Kenneth Lonergan
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I would love to take control of the entire universe and for five years you give every movie the same widespread distribution no matter what movie and see if there's a real discrepancy between people coming to see science-fiction films or superhero films. I seriously bet there would be no discernible difference.
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I grew up going to the movies, not watching them on television, so I'm still a bit resistant to TV as a medium.
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There's a few people who I've accumulated over the years who I really trust to show a first cut to and to be helpful rather than unhelpful.
Kenneth Lonergan
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Some actors really like to do only a few, some like Casey [Affleck] will do as many takes as there is electrical power. At some point, you'll say, Listen, I think it's really good. And he'll say, You sure? You sure? There's not some other way we should try it?
Kenneth Lonergan