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Heroes do not easily tolerate the company of other heroes.

Kenneth Clark

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Kenneth Clark
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The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.
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In time of war all countries behave equally badly, because the power of action is handed over to stupid and obstinate men.
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The great achievement of the Catholic Church lay in harmonizing, civilizing the deepest impulses of ordinary, ignorant people.
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All color is no color.
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We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs.
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To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life.
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I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum.
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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
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Children who are treated as if they are uneducable almost invariably become uneducable.
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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
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The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost every detail the body is not the shape that art has led us to believe it should be.
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Only the bad artists of the nineteenth century were frightened by the invention of photography the good ones all welcomed it and used it.
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All great civilisations, in their early stages, are based on success in war.
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Few people can look at a painting longer than it takes to peel an orange and eat it.
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People sometimes tell me that they prefer barbarism to civilisation. I doubt if they have given it a long enough trial. Like the people of Alexandria, they are bored by civilisation but all the evidence suggests that the boredom of barbarism is infinitely greater.
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Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.
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The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
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Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have a strange idea of doing service to his reputation.
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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.
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