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In time of war all countries behave equally badly, because the power of action is handed over to stupid and obstinate men.

Kenneth Clark

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Kenneth Clark
War
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Obstinate
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Men
Equally
Time
Behave
Countries
Stupid

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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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A racist system inevitably destroys and damages human beings it brutalizes and dehumanizes them, blacks and whites alike.
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I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum.
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Devotion to the facts will always give the pleasures of recognition adherence to the rules of design, the pleasures of order and certainty.
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Racial prejudices are indication of a disturbed and potentially unstable society.
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The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
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All great civilisations, in their early stages, are based on success in war.
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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
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To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life.
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Children who are treated as if they are uneducable almost invariably become uneducable.
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Conventional nudes based on classical originals could bear no burden of thought or inner life without losing their formal completeness.
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Heroes do not easily tolerate the company of other heroes.
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You have no idea what portrait painters suffer from the vanity of their sitters.
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Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.
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Only the bad artists of the nineteenth century were frightened by the invention of photography the good ones all welcomed it and used it.
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The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.
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The great achievement of the Catholic Church lay in harmonizing, civilizing the deepest impulses of ordinary, ignorant people.
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The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes.
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All color is no color.
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The eye instinctively looks for analogies and amplifies them, so that a face imagined in the pattern of a wallpaper may become more vivid than a photograph.
Kenneth Clark