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Only the bad artists of the nineteenth century were frightened by the invention of photography the good ones all welcomed it and used it.

Kenneth Clark

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Kenneth Clark
Good
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Welcomed
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Nineteenth

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People sometimes tell me that they prefer barbarism to civilisation. I doubt if they have given it a long enough trial. Like the people of Alexandria, they are bored by civilisation but all the evidence suggests that the boredom of barbarism is infinitely greater.
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Art...must do something more than give pleasure: it should relate to our own life so as to increase our energy of spirit.
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Devotion to the facts will always give the pleasures of recognition adherence to the rules of design, the pleasures of order and certainty.
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In time of war all countries behave equally badly, because the power of action is handed over to stupid and obstinate men.
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A visual experience is vitalizing. Whereas to write great poetry, to draw continuously on one's inner life, is not merely exhausting, it is to keep alight a consuming fire.
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The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes.
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You have no idea what portrait painters suffer from the vanity of their sitters.
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Conventional nudes based on classical originals could bear no burden of thought or inner life without losing their formal completeness.
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Heroes do not easily tolerate the company of other heroes.
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To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life.
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I just don't think the moon is going to be an adequate substitute for the fact that we haven't addressed ourselves to clearing up the slums.
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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
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The great achievement of the Catholic Church lay in harmonizing, civilizing the deepest impulses of ordinary, ignorant people.
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Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.
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The eye instinctively looks for analogies and amplifies them, so that a face imagined in the pattern of a wallpaper may become more vivid than a photograph.
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We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs.
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One musn't overrate the culture of what used to be called top people before the wars. They had charming manners, but they were as ignorant as swans.
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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
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I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.
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Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs - it was one of the things that gave him so much sympathy with dancers.
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