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Only the bad artists of the nineteenth century were frightened by the invention of photography the good ones all welcomed it and used it.

Kenneth Clark

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Kenneth Clark
Welcomed
Artist
Nineteenth
Used
Frightened
Good
Invention
Artists
Photography
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Century

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The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.
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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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Heroes do not easily tolerate the company of other heroes.
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In time of war all countries behave equally badly, because the power of action is handed over to stupid and obstinate men.
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Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.
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People sometimes tell me that they prefer barbarism to civilisation. I doubt if they have given it a long enough trial. Like the people of Alexandria, they are bored by civilisation but all the evidence suggests that the boredom of barbarism is infinitely greater.
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One musn't overrate the culture of what used to be called top people before the wars. They had charming manners, but they were as ignorant as swans.
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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
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Art...must do something more than give pleasure: it should relate to our own life so as to increase our energy of spirit.
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Children who are treated as if they are uneducable almost invariably become uneducable.
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The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
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The eye instinctively looks for analogies and amplifies them, so that a face imagined in the pattern of a wallpaper may become more vivid than a photograph.
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A racist system inevitably destroys and damages human beings it brutalizes and dehumanizes them, blacks and whites alike.
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We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs.
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Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have a strange idea of doing service to his reputation.
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Devotion to the facts will always give the pleasures of recognition adherence to the rules of design, the pleasures of order and certainty.
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The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost every detail the body is not the shape that art has led us to believe it should be.
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Conventional nudes based on classical originals could bear no burden of thought or inner life without losing their formal completeness.
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Few people can look at a painting longer than it takes to peel an orange and eat it.
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Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description.
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