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The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.

Kenneth Clark

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Kenneth Clark
Culture
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Ghetto
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Ghettos
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Heroes do not easily tolerate the company of other heroes.
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I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum.
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In time of war all countries behave equally badly, because the power of action is handed over to stupid and obstinate men.
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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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Few people can look at a painting longer than it takes to peel an orange and eat it.
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Children who are treated as if they are uneducable almost invariably become uneducable.
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Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have a strange idea of doing service to his reputation.
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The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
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Art...must do something more than give pleasure: it should relate to our own life so as to increase our energy of spirit.
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A racist system inevitably destroys and damages human beings it brutalizes and dehumanizes them, blacks and whites alike.
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Racial prejudices are indication of a disturbed and potentially unstable society.
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We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs.
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Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.
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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
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Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description.
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One musn't overrate the culture of what used to be called top people before the wars. They had charming manners, but they were as ignorant as swans.
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The great achievement of the Catholic Church lay in harmonizing, civilizing the deepest impulses of ordinary, ignorant people.
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I believe in the God-given genius of certain individuals, and I value a society that makes their existence possible.
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You have no idea what portrait painters suffer from the vanity of their sitters.
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Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs - it was one of the things that gave him so much sympathy with dancers.
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