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The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.

Kenneth Clark

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Kenneth Clark
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More quotes by Kenneth Clark

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To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life.
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The great achievement of the Catholic Church lay in harmonizing, civilizing the deepest impulses of ordinary, ignorant people.
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All color is no color.
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Art...must do something more than give pleasure: it should relate to our own life so as to increase our energy of spirit.
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The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes.
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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs - it was one of the things that gave him so much sympathy with dancers.
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Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description.
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One musn't overrate the culture of what used to be called top people before the wars. They had charming manners, but they were as ignorant as swans.
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Conventional nudes based on classical originals could bear no burden of thought or inner life without losing their formal completeness.
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I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum.
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Racial prejudices are indication of a disturbed and potentially unstable society.
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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience.
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We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs.
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Only the bad artists of the nineteenth century were frightened by the invention of photography the good ones all welcomed it and used it.
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Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have a strange idea of doing service to his reputation.
Kenneth Clark
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You have no idea what portrait painters suffer from the vanity of their sitters.
Kenneth Clark
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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
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The eye instinctively looks for analogies and amplifies them, so that a face imagined in the pattern of a wallpaper may become more vivid than a photograph.
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The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
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