Shaping it is something I would expect to do together with a writer, because that's a director's job.

No political politicians on the board and stop sub-contracting anyway, which means getting out of Iraq. If anything needs to be policed, it needs to be done through a proper international body... not through us sub-contracting teams of mercenaries.

A movie isn't a political movement, a party or even an article. It's just a film. At best it can add its voice to public outrage.

A film is one small voice among other large ones. The film is a tiny part of the discourse. You do what you can but under no illusions of what a film can do.

One lesson to learn is that the press and the broadcasters are not neutral. And it seems we have to learn it each time there is a dispute: they are actually committed to one side.

You'll get unsociable people whatever the nationality, colour, race or creed. I guess the British abroad have probably got the worst record of anyone.

History is contemporary. Your understanding of history confirms what you think of the present. It's not neutral. I would be very surprised if people with a different view of the present, don't take issue with my view of the past. I just hope that people deal with the content of the film.

The duty of a film director is to focus more on the soul of the spectator.

Maybe if we tell the truth about the past, we can tell the truth about the present.