Shaping it is something I would expect to do together with a writer, because that's a director's job.

You'll get unsociable people whatever the nationality, colour, race or creed. I guess the British abroad have probably got the worst record of anyone.

Maybe if we tell the truth about the past, we can tell the truth about the present.

A film is one small voice among other large ones. The film is a tiny part of the discourse. You do what you can but under no illusions of what a film can do.

No political politicians on the board and stop sub-contracting anyway, which means getting out of Iraq. If anything needs to be policed, it needs to be done through a proper international body... not through us sub-contracting teams of mercenaries.

History is contemporary. Your understanding of history confirms what you think of the present. It's not neutral. I would be very surprised if people with a different view of the present, don't take issue with my view of the past. I just hope that people deal with the content of the film.

The duty of a film director is to focus more on the soul of the spectator.

One lesson to learn is that the press and the broadcasters are not neutral. And it seems we have to learn it each time there is a dispute: they are actually committed to one side.

I turned down the OBE because its not a club you want to join when you look at the villains whove got it. Its all the things I think are despicable: patronage, deferring to the monarchy and the name of the British Empire, which is a monument of exploitation and conquest.

A movie isn't a political movement, a party or even an article. It's just a film. At best it can add its voice to public outrage.