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Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.

Ken Burns

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Ken Burns
Age: 71
Born: 1953
Born: July 29
Actor
Cinematographer
Film Director
Film Producer
Manufacturer
Producer
Screenwriter
Brooklyn
New York
Kenneth Lauren Burns
Kenneth L. Burns
Kenneth Burns
Believe
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Miles
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In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?
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I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever.
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Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
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You don't work on something for six years and be blind to the myriad of other approaches.
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I don't think that there has been a film that I've done that hasn't been influenced by libraries and archives.
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By its very nature, no one person can ever be the center of Jazz.
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I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
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When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.
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I think the problem with a lot of the fusion music is that its extremely predictable, its a rock rhythm and the solos all play the same stuff and they play it over and over again and theres a certain musical virtuosity involved in it.
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We strain to listen to the ghosts and echoes of our inexpressibly wise past, and we have an obligation to maintain these places, to provide these sanctuaries, so that people may be in the presence of forces larger than those of the moment.
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History isn't really about the past - settling old scores. It's about defining the present and who we are.
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It is the great arrogance of the present to forget the intelligence of the past
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I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
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Do something that will last and be beautiful. It doesn't have to be a bridge-or a symphony or book or a business. It could be the look in the eye of a child you raise or a simple garden you tend. Do something that will last and be beautiful.
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The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts.
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You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.
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There are no ordinary lives.
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Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics.
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I am passionately interested in understanding how my country works. And if you want to know about this thing called the United States of America you have to know about the Civil War.
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People tend to forget that the word history contains the word story.
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