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I think the problem with a lot of the fusion music is that its extremely predictable, its a rock rhythm and the solos all play the same stuff and they play it over and over again and theres a certain musical virtuosity involved in it.

Ken Burns

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Ken Burns
Age: 71
Born: 1953
Born: July 29
Actor
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Screenwriter
Brooklyn
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Kenneth Lauren Burns
Kenneth L. Burns
Kenneth Burns
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More quotes by Ken Burns

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Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics.
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The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts.
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I wake the dead. I bring Jackie Robinson and the Roosevelts to life. Who do you think Im trying to wake up?
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We strain to listen to the ghosts and echoes of our inexpressibly wise past, and we have an obligation to maintain these places, to provide these sanctuaries, so that people may be in the presence of forces larger than those of the moment.
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We all think that an exception is going to be made in our case and were going to live forever. Being a human is actually arriving at the understanding that thats not going to be. Story is there to remind us that its just OK.
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History isn't really about the past - settling old scores. It's about defining the present and who we are.
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A jazz beat is a dynamic changing rhythm.
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I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.
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History's just been made for sale to an inside deal.
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Do something that will last and be beautiful. It doesn't have to be a bridge-or a symphony or book or a business. It could be the look in the eye of a child you raise or a simple garden you tend. Do something that will last and be beautiful.
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By its very nature, no one person can ever be the center of Jazz.
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There are no ordinary lives.
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Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
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When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.
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In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
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You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.
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I'm a filmmaker. I'm an artist. I've chosen to work in history the way someone might choose to work in still lifes or landscapes.
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I grew up certain for a while that I was going to be an anthropologist, until film turned my head.
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The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice.
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You don't work on something for six years and be blind to the myriad of other approaches.
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