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I'd be flattered if someone said that my work is too weird for them. I value the uncompliment.
Kelly Link
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Kelly Link
Age: 55
Born: 1969
Born: July 19
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Science Fiction Writer
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Miami
Florida
Flattered
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More quotes by Kelly Link
The beloved may be treacherous, greasy-headed and given to evil habits, or else it can be a man in his late forties who works too much, or it can be an alarm clock.
Kelly Link
There are stories about winter ghosts found tangled like lice in their lovers' hair. Dead people have no hair themselves, which is how they can be recognized in winter. But in summer, the living and dead may pass each other on the street, and no one knows the difference.
Kelly Link
Remember, when you don’t know what to do, it never hurts to play Scrabble. It’s like reading the I Ching or tea leaves.
Kelly Link
Look. All books are weird when you think about it.... It goes without saying that real life is also weird.
Kelly Link
I don't abandon stories once I've started working on them. Once I sit down and start a story, I'll be damned if I'm going to give up on it. But I do reject most of the ideas for stories that I come up with.
Kelly Link
As if our happiness, our good fortune, might rub off, contestants ask us for a light: they brush up against us in the halls, pull strands of hair off our clothing. Whenever we leave our bed, our room -- not often -- two or three are sure to be lurking just outside our door.
Kelly Link
I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake...
Kelly Link
It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.
Kelly Link
Everyone knows that wizards are pigheaded and come to bad ends.
Kelly Link
You may very well ask what the goddess of love is doing in St. Andrews, writing trashy romances. Adapting.
Kelly Link
The zombies were like Canadians, in that they looked enough like real people at first, to fool you.
Kelly Link
I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.
Kelly Link
Nobody tells her to shut up. It would be pointless. Amy has a large heart and an even larger mouth. When it rains, Amy rescues worms off the sidewalk. When you get tired of having a secret, you tell Amy. Understand: Amy isn't that much stupider than anyone else in the story. It's just that she thinks out loud.
Kelly Link
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
Kelly Link
What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.
Kelly Link
When I'm up for an award, there are usually two or three other things on the ballot that I like better than my own fiction.
Kelly Link
You say that if we hadn't just gotten married, you would want to marry Miss Arkansas. Even if she can't spell. She can sit on her hair. A lover could climb that hair like a gym rope. It's fairy-tale hair, Rapunzel hair. We saw her practicing for the pageant in the hotel ballroom with two wild pigs, her hair braided into two lassoes.
Kelly Link
You were going to travel for love, without shoes, or cloak, or common sense. This is one of the things a woman can do when her lover leaves her. It's hard on the feet perhaps, but staying at home is hard on the heart, and you weren't quite ready to give up on him yet.
Kelly Link
Everyone has a bizarre childhood and unusual life experiences, whether they know it or not. There's no such thing as a normal childhood. What's useful in writing weird fiction is learning how to understand and articulate those moments of personal, particular strangeness.
Kelly Link
I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.
Kelly Link