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In my work, I want to create an understanding, not about what a painting looks like but about what a painting says.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Painting
Says
Create
Understanding
Looks
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More quotes by Kehinde Wiley

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I use those expectations as a color on my palette, a certain temperature in the room. You can use those expectations for the great punchline, but also for a great painting, in society.
Kehinde Wiley
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I love being able to have a team.
Kehinde Wiley
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I believe the artist is capable of contributing to the broader evolution of culture in all of its dimensions.
Kehinde Wiley
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Your best as an artist is to create something that resonates for you.
Kehinde Wiley
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I had an amazing instructor, Joseph Gotto , who, as a painter, spoke to me as it - he didn't condescend.
Kehinde Wiley
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Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
Kehinde Wiley
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That should be something that an artist can respond to as well in terms of a painting.
Kehinde Wiley
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I would imagine that what you try to do is to - is to be as sensitive to the environment that surrounds you as possible. As you see, my work has become increasingly global. My presence in the world has become increasingly global.
Kehinde Wiley
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I love the idea of engaging religious sentiment and how that vocabulary has evolved over time.
Kehinde Wiley
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I have a lot of problems with Western European easel painting.
Kehinde Wiley
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There's something really cool about being able to fly to South Africa and watch one of the most talented African footballers wearing a shoe on the field.
Kehinde Wiley
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I think the world that I grew up in was like being in this sort of magical artistic garden.
Kehinde Wiley
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I think that artists provide questions, not answers. We provide provocations rather than fully formed objects.
Kehinde Wiley
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Mel [ Bochner] held large-form meetings with students. But the stronger points came through when we had the one-on-one critiques. And that's the system that works at Yale. There's the group critiques, and then there's the one-on-one critiques that happen in studio.
Kehinde Wiley
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If I have the same plan to go into the streets, find random strangers, use art-historical referent from their - from the specific location, to use decorative patterns from this location, that's a rule. That's a set of patterns that you can apply to all societies. But what gives rise or what comes out of each experiment is so radically different.
Kehinde Wiley
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The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style [in Yale].
Kehinde Wiley
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At age 20 I went to go find my father in Nigeria. And after much toil, I finally figured out exactly where he was. And there's something about seeing your father for the first time - my mother destroyed all pictures of him.
Kehinde Wiley
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Most people say, Hell, no. I don't know who you are. This scares me. Like, I'm not interested in this.Another way of looking at these paintings is, these are the guys who said yes.
Kehinde Wiley
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There is something to be said about laying bare the vocabulary of the aristocratic measure, right? There's something to be said about allowing the powerless to tell their own story.
Kehinde Wiley
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We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's just sort of in our DNA. And so portraiture is a very human act.
Kehinde Wiley