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There's something really cool about being able to fly to South Africa and watch one of the most talented African footballers wearing a shoe on the field.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Footballer
Cool
Shoe
South
Talented
Fields
African
Watches
Africa
Watch
Wearing
Able
Field
Something
Footballers
Really
Shoes

More quotes by Kehinde Wiley

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I would imagine that what you try to do is to - is to be as sensitive to the environment that surrounds you as possible. As you see, my work has become increasingly global. My presence in the world has become increasingly global.
Kehinde Wiley
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I think that one of the questions that I asked of myself in later years was to this point of the political directive.
Kehinde Wiley
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Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and 19th-century British portraiture that you can imagine in Southern California. One doesn't think about Southern California as being the capital of great art.
Kehinde Wiley
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Women are expected to identify gender as a starting point. Ethnicities are expected to identify that as a location. Is it ever possible for the artist to imagine a state of absolute freedom? That was my call to arms.
Kehinde Wiley
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One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the ability to engage the world in all of its myriad purposes, transformations, and incarnations.
Kehinde Wiley
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My assistants generally do all the flowers and all of the decorative work. I concentrate on the figure.
Kehinde Wiley
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In the end I'm in love with it [Western European easel painting]. And that's where a lot of the influence from the work comes from.
Kehinde Wiley
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I've met others [people] who simply responded to me, You're Kehinde Wiley. I know your work. I saw it at the Brooklyn Museum [Brooklyn, NY] And I'd be honored to be in your work.
Kehinde Wiley
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A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
Kehinde Wiley
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I think that an obsession with art history gave rise to the work.
Kehinde Wiley
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If I have the same plan to go into the streets, find random strangers, use art-historical referent from their - from the specific location, to use decorative patterns from this location, that's a rule. That's a set of patterns that you can apply to all societies. But what gives rise or what comes out of each experiment is so radically different.
Kehinde Wiley
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There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.
Kehinde Wiley
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I love being able to have a team.
Kehinde Wiley
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In my work, I want to create an understanding, not about what a painting looks like but about what a painting says.
Kehinde Wiley
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He's a great - he's a great professor. He retired recently, but.But Peter Halley as well.
Kehinde Wiley
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Your best as an artist is to create something that resonates for you.
Kehinde Wiley
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I think there's something important in going against the grain, and perhaps finding value in things that aren't necessarily institutionally recognized.
Kehinde Wiley
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I think that I'm increasingly aware of the fact that in order to work towards any statement that's radically global or universal, you have to start in a place that's radically intimate and particular.
Kehinde Wiley
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I create something that means something to me, to the world, and try to do my best. I can't fix everything.
Kehinde Wiley
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I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.
Kehinde Wiley