Quote

You'll find that street casting in America is a lot different than street casting in different nations.

Kehinde Wiley

Change background

T
T
T

Change font

TAGS & TOPICS

Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Different
Casting
Street
Streets
Nations
America
Find

More quotes by Kehinde Wiley

Image
Believing that navel-gazing in and of itself can transform itself into something that means something for society. I mean, we are communicative creatures. We desire to sort of understand each other's experiences and points of view. Storytelling is what painting, literature, filmmaking is all about.
Kehinde Wiley
Image
Portraiture is something that we're all drawn to. I think primarily other forms - we prefer, by and large, to look at human beings than a bowl of fruit.
Kehinde Wiley
Image
Your best as an artist is to create something that resonates for you.
Kehinde Wiley
Image
When you're at your best, you're analyzing yourself and becoming increasingly isolated from a broader narrative.
Kehinde Wiley
Image
I love being a portraitist.
Kehinde Wiley
Image
The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with regards to the ways in which young people look at resistance culture as a pattern that should be mimicked and admired.
Kehinde Wiley
Image
There's quite obviously the desire to open the rule sets that allow for inclusion or disclusion. I think that my hope would be that my work set up certain type of precedent, that allowed for great institutions, museums and viewers to see the possibilities of painting culture to be a bit more inclusive.
Kehinde Wiley
Image
I think it was a matter of, like, I'm not going to have my kids in these wild streets. Both my twin brother and I were in art school together.
Kehinde Wiley
Image
He's a great - he's a great professor. He retired recently, but.But Peter Halley as well.
Kehinde Wiley
Image
A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
Kehinde Wiley
Image
There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.
Kehinde Wiley
Image
In my work, I want to create an understanding, not about what a painting looks like but about what a painting says.
Kehinde Wiley
Image
I mean, the radical contingency that is - that exists and the fact that I'm going into the streets and finding random strangers any given day - who's in these streets that day?
Kehinde Wiley
Image
I love being able to have a team.
Kehinde Wiley
Image
What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this expectation of a political corrective that demands that the artist fixes the ills of the world.
Kehinde Wiley
Image
I think that an obsession with art history gave rise to the work.
Kehinde Wiley
Image
I was 12 in 1989 during perestroika, when my mother found a program that sent me to Russia to study art in the forests outside of Leningrad.
Kehinde Wiley
Image
What's interesting about my project recently is that I'm going out into broader global spaces but then isolating at the same time - sort of pushing out but then pulling in.
Kehinde Wiley
Image
I believe the artist is capable of contributing to the broader evolution of culture in all of its dimensions.
Kehinde Wiley
Image
The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style [in Yale].
Kehinde Wiley