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Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Race
Sexuality
Within
Gender
Nations
Exists
Nation
Painting
Particular
Situation
Class
Situational

More quotes by Kehinde Wiley

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A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
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Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
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It's a culture. It's - I mean, people obsess over this. And people create subcultures that identify - and there are people in the streets who will recognize certain patterns and signifiers.
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There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.
Kehinde Wiley
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I think that artists provide questions, not answers. We provide provocations rather than fully formed objects.
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The expectations of the viewer are what you're asking about. And the expectations of the viewer are manifold. However, they are very fixed, given who I am in the world. People have certain expectations of me as an artist.
Kehinde Wiley
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As a twin, I operate with twin desires.
Kehinde Wiley
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It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.
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I think that one of the questions that I asked of myself in later years was to this point of the political directive.
Kehinde Wiley
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I have been painting white people for much longer in my life than I have done for colored people.
Kehinde Wiley
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What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into the image of perfection that ruled the day in the 18th and 19th centuries. It's an antiquated language, but I think we've inherited that language and have forwarded it to its most useful points in the 21st century.
Kehinde Wiley
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The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with regards to the ways in which young people look at resistance culture as a pattern that should be mimicked and admired.
Kehinde Wiley
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I love the idea of engaging religious sentiment and how that vocabulary has evolved over time.
Kehinde Wiley
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All the world's a stage. P.T. Barnum: It becomes a circus. But circuses or street pageants or parades have always been useful in a society.They've always been useful as a way of critiquing power. The carnivalesque has always been useful as a way of the powerful being mocked in a public space.
Kehinde Wiley
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What's great about it is that painting doesn't move. And so in the 21st century, when we're used to clicking and browsing and having constant choice, painting simply sits there silently and begs you to notice the smallest of detail.
Kehinde Wiley
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There was no image of the other biological half of myself. And as an artists, as a - as an - as a portraitist, the look of who you are was radically important to me.
Kehinde Wiley
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We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's just sort of in our DNA. And so portraiture is a very human act.
Kehinde Wiley
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I have a lot of problems with Western European easel painting.
Kehinde Wiley
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My assistants generally do all the flowers and all of the decorative work. I concentrate on the figure.
Kehinde Wiley
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I had an amazing instructor, Joseph Gotto , who, as a painter, spoke to me as it - he didn't condescend.
Kehinde Wiley