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I actually studied cooking and, like, was thinking about becoming a chef.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Studied
Cooking
Becoming
Actually
Thinking
Like
Chef

More quotes by Kehinde Wiley

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Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation.
Kehinde Wiley
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I guess art is in the eye of the beholder.
Kehinde Wiley
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There is something to be said about laying bare the vocabulary of the aristocratic measure, right? There's something to be said about allowing the powerless to tell their own story.
Kehinde Wiley
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We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's just sort of in our DNA. And so portraiture is a very human act.
Kehinde Wiley
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There is a political and racial context behind everything that I do. Not always because I design it that way, or because I want it that way, but rather because it's just the way people look at the work of an African-American artist in this country.
Kehinde Wiley
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I love the idea of engaging religious sentiment and how that vocabulary has evolved over time.
Kehinde Wiley
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I think the world that I grew up in was like being in this sort of magical artistic garden.
Kehinde Wiley
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I was 11 when I was first introduced to live drawing classes and going to art school.
Kehinde Wiley
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That should be something that an artist can respond to as well in terms of a painting.
Kehinde Wiley
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I use those expectations as a color on my palette, a certain temperature in the room. You can use those expectations for the great punchline, but also for a great painting, in society.
Kehinde Wiley
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It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and just like really honestly being a little bit confused, quite frankly, about Harlem.
Kehinde Wiley
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What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this expectation of a political corrective that demands that the artist fixes the ills of the world.
Kehinde Wiley
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As a twin, I operate with twin desires.
Kehinde Wiley
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Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
Kehinde Wiley
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The expectations of the viewer are what you're asking about. And the expectations of the viewer are manifold. However, they are very fixed, given who I am in the world. People have certain expectations of me as an artist.
Kehinde Wiley
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I have a lot of problems with Western European easel painting.
Kehinde Wiley
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I think that artists provide questions, not answers. We provide provocations rather than fully formed objects.
Kehinde Wiley
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I love being a portraitist.
Kehinde Wiley
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The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about or even looking at.
Kehinde Wiley
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Believing that navel-gazing in and of itself can transform itself into something that means something for society. I mean, we are communicative creatures. We desire to sort of understand each other's experiences and points of view. Storytelling is what painting, literature, filmmaking is all about.
Kehinde Wiley