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Mel [Bochner] sets a very high standard. He expects only the best and most thoughtful and rigorous examinations, not only of the history of art but your own practice.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
High
Rigorous
History
Expects
Art
Examination
Best
Thoughtful
Sets
Standard
Standards
Practice
Examinations

More quotes by Kehinde Wiley

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I've met others [people] who simply responded to me, You're Kehinde Wiley. I know your work. I saw it at the Brooklyn Museum [Brooklyn, NY] And I'd be honored to be in your work.
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I mean, the radical contingency that is - that exists and the fact that I'm going into the streets and finding random strangers any given day - who's in these streets that day?
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I think it was a matter of, like, I'm not going to have my kids in these wild streets. Both my twin brother and I were in art school together.
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I think that an obsession with art history gave rise to the work.
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I create something that means something to me, to the world, and try to do my best. I can't fix everything.
Kehinde Wiley
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There's always a tug of war. Like, in the States, in America, there's certainly a higher quotient, I would imagine, of, like, macho, like, masculinity posturing.
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I'm fully capable of multitasking certain conceptual concerns within the work.
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At age 20 I went to go find my father in Nigeria. And after much toil, I finally figured out exactly where he was. And there's something about seeing your father for the first time - my mother destroyed all pictures of him.
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The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with regards to the ways in which young people look at resistance culture as a pattern that should be mimicked and admired.
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That should be something that an artist can respond to as well in terms of a painting.
Kehinde Wiley
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I've had moments where I've met people who were complete, like, idiots, who could not understand visual culture to save their lives.
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I love being able to have a team.
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I use those expectations as a color on my palette, a certain temperature in the room. You can use those expectations for the great punchline, but also for a great painting, in society.
Kehinde Wiley
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It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.
Kehinde Wiley
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We have a lot of sort of received historical ways of viewing portraiture. And I suppose in some way I'm sort of questioning that by toying with the rules of the game.
Kehinde Wiley
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In the end I'm in love with it [Western European easel painting]. And that's where a lot of the influence from the work comes from.
Kehinde Wiley
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I think the world that I grew up in was like being in this sort of magical artistic garden.
Kehinde Wiley
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I think that one of the questions that I asked of myself in later years was to this point of the political directive.
Kehinde Wiley
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There's something really cool about being able to fly to South Africa and watch one of the most talented African footballers wearing a shoe on the field.
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Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation.
Kehinde Wiley