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I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.

Kehinde Wiley

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Kehinde Wiley
Age: 47
Born: 1977
Born: February 28
Painter
LA
California
Past
Brown
Come
Skin
Years
Skins
Models
Painting
Already
Black
Experience
Paintings

More quotes by Kehinde Wiley

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What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this expectation of a political corrective that demands that the artist fixes the ills of the world.
Kehinde Wiley
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That should be something that an artist can respond to as well in terms of a painting.
Kehinde Wiley
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I'm fully capable of multitasking certain conceptual concerns within the work.
Kehinde Wiley
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It never really understood its own situational luxury. And I think that by and large the privilege of being Kehinde Wiley in the 21st century, making these high-priced luxury goods, traveling the world, pointing at these people, behooves me to have a point of view and to say something about it.
Kehinde Wiley
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The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style [in Yale].
Kehinde Wiley
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In the end I'm in love with it [Western European easel painting]. And that's where a lot of the influence from the work comes from.
Kehinde Wiley
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Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
Kehinde Wiley
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I was surrounded by art by virtue of not only the educational opportunities that my mother's foresight availed me to.
Kehinde Wiley
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He's a great - he's a great professor. He retired recently, but.But Peter Halley as well.
Kehinde Wiley
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[My parents] met in university back in the '70s. And I didn't grow up with my father. He - they separated before I was born.
Kehinde Wiley
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A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
Kehinde Wiley
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My assistants generally do all the flowers and all of the decorative work. I concentrate on the figure.
Kehinde Wiley
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Portraiture is something that we're all drawn to. I think primarily other forms - we prefer, by and large, to look at human beings than a bowl of fruit.
Kehinde Wiley
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Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation.
Kehinde Wiley
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There was no image of the other biological half of myself. And as an artists, as a - as an - as a portraitist, the look of who you are was radically important to me.
Kehinde Wiley
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I love being a portraitist.
Kehinde Wiley
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Believing that navel-gazing in and of itself can transform itself into something that means something for society. I mean, we are communicative creatures. We desire to sort of understand each other's experiences and points of view. Storytelling is what painting, literature, filmmaking is all about.
Kehinde Wiley
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I love the of dealing with the homoerotic versus the idea of dealing with certain tropes with regards to black masculinity in the world, propensity towards sports, antisocial behavior, hypersexuality - all of these sort of non-truths that I don't exist in but that I see as being fixed in the world's imagination.
Kehinde Wiley
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I think that artists provide questions, not answers. We provide provocations rather than fully formed objects.
Kehinde Wiley
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I think that's kind of indicative of a type of self-confidence that people develop when they recognize their own ability to create.
Kehinde Wiley