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Life and art had a nice parallel, in the sense of coming together as strangers who are separate in prison who need to work together, getting to know each other.

Keanu Reeves

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Keanu Reeves
Age: 60
Born: 1964
Born: September 2
Actor
Film Actor
Film Director
Film Producer
Musician
Singer
Television Actor
Voice Actor
Keanu Charles Reeves
Need
Stranger
Needs
Prison
Work
Coming
Life
Nice
Getting
Parallel
Sense
Parallels
Art
Strangers
Together
Separate

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I was hopeless at high school - I failed everything but Latin.
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I'm older and older. With any experience you have, you know more about yourself.
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I loved the role [of John Wick]. I loved the action. I loved all the new characters. The world expands into the Underworld. It's getting bigger. Yeah, it was a really great experience [in John Wick 2].
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I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.
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'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
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It's hard to act in the morning. The muse isn't even awake.
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The simple act of paying attention can take you a long way.
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There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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It's fun to be hopelessly in love. It's dangerous, but it's fun.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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I thank the earth and the sky everyday for the opportunities I’ve had.
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The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
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It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.
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I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
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I had the classic 40 meltdown, I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
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I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
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I don't know the law, the kind of law of quantity and quality, but I think the opportunity of people being able to express themselves and to have the means of production is a great thing. It's also changing how we're telling stories.
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